Noting these similarities is not a criticism. “What have you done?!” he seethes with a decidedly less throaty inflection. Gordon standing next to the Bat Signal in The Dark Knight and saying, “He often doesn’t, but I like reminding everybody that he’s out there.” Similarly, it’s hard not to think of Christian Bale’s infamously guttural screams during his interrogation of Heath Ledger’s Joker-or demanding “where’s the trigger” of Tom Hardy’s Bane-when Pattinson’s Batman likewise questions a villain protected by plexiglass. Take for instance Robert Pattinson’s first line in the trailer: “Fear is a tool and when that light hits the sky, it’s not just a call, it’s a warning.” That bit of dialogue is not too far removed from Gary Oldman’s Lt. They’ve just been taken to an even darker and more violent extreme. While the sounds of Michael Giacchino’s Gothic score suggest some of the character’s more operatic qualities are returning, and Colin Farrell is certainly channelling Dick Tracy levels of scenery-chewing in his take on the Penguin, the film still features many of the elements we saw in Nolan’s seminal Dark Knight reimagined. Well, that obviously did not happen in The Dark Knight Rises, but with the arrival of WB’s The Batman trailer, it feels like the studio and the fans are finally getting The Dark Knight sequel they wanted the first time.ĭirector Matt Reeves’ film is also of course its own animal, and if anything looks poised to be an even darker, more ruthless interpretation of the Batman’s mythology than Nolan’s previous “grounded” and hard-nosed vision of Gotham City. The Batman movie screenwriter-who helped Jonathan and Christopher Nolan crack the stories for all three films in The Dark Knight Trilogy, and who co-wrote the first one-admitted this way back in 2012 when he told the press that studio executives came to Nolan and said, “It’s gonna be the Riddler, and we want it to be Leonardo DiCaprio.” wanted as the villain in the sequel to Christopher Nolan’s The Dark Knight, according to David Goyer.
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